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    <title>Philip Johnson Glass House - BOOKS / ART / All Products</title>
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    <link>https://designstore.theglasshouse.org/art-c42all.aspx</link>
    <pubDate>Mon, 21 Sep 2026 18:24:45 GMT</pubDate>
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      <link>https://designstore.theglasshouse.org/gaetano-pesce-the-complete-incoherence-glenn-adamson-p537.aspx</link>
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      <pubDate>Tue, 20 May 2025 10:11:28 GMT</pubDate>
      <title>Gaetano Pesce: The Complete Incoherence Glenn Adamson</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/gaetano-pesce-the-complete-incoherence-glenn-adamson-p537.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/Gaetano%20500%20pix1.png"  alt="Gaetano Pesce: The Complete Incoherence Glenn Adamson" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/gaetano-pesce-the-complete-incoherence-glenn-adamson-p537.aspx"&gt;Gaetano Pesce: The Complete Incoherence Glenn Adamson&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/gaetano-pesce-the-complete-incoherence-glenn-adamson-p537.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$90.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Gaetano Pesce: The Complete Incoherence&lt;/div&gt;&lt;div&gt;Glenn Adamson&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The definitive volume on Gaetano Pesce’s incomparable life and career, as told in the artist-designer’s own words&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In a category all his own, Gaetano Pesce is widely considered one of the most important, and elusive, creative figures of the last half century. Bridging numerous key art and design movements, while never belonging to any of them, Pesce’s singular practice has remained steadfastly provocative, defying convention, utility, and good taste.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://designstore.theglasshouse.org/fujiko-nakaya-fog-p283.aspx</link>
      <guid isPermaLink="false">Product283</guid>
      <pubDate>Thu, 4 Sep 2014 06:57:00 GMT</pubDate>
      <title>Fujiko Nakaya: Fog</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/fujiko-nakaya-fog-p283.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/fujiko%20monograph1.png" WIDTH=200 alt="Fujiko Nakaya: Fog" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/fujiko-nakaya-fog-p283.aspx"&gt;Fujiko Nakaya: Fog&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/fujiko-nakaya-fog-p283.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$65.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;p&gt;Sculpting fog is a decidedly unusual art. Fujiko Nakaya is its pioneer. This first comprehensive monograph presents more than fifty of her Fog Works created for public spaces all over the world, as well as her video works and paintings. The artist's texts and drawings, archive items, videos and previously unpublished essays by French and Japanese authors, document this exceptional art approach, which reinvents the meeting between art, science and technology. A DVD-ROM and a DVD Video include some rare videos by the artist, as well as a substantial filmed documentation about her Fog Sculptures, from the famous Pepsi Pavilion in 1970 to the most recent ones in 2011.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;*This item requires an&amp;nbsp;additional shipping time of 2 months. &lt;/p&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://designstore.theglasshouse.org/over-the-water-fujiko-nakaya-p282.aspx</link>
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      <pubDate>Wed, 3 Sep 2014 13:08:00 GMT</pubDate>
      <title>Over the Water: Fujiko Nakaya</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/over-the-water-fujiko-nakaya-p282.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/nakaya%20catalogue1.png" WIDTH=200 alt="Over the Water: Fujiko Nakaya" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/over-the-water-fujiko-nakaya-p282.aspx"&gt;Over the Water: Fujiko Nakaya&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/over-the-water-fujiko-nakaya-p282.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$9.95&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Tokyo-based artist Fujiko Nakaya's &lt;em&gt;Fog Bridge #72494&lt;/em&gt; inaugurates the Exploratorium's new &lt;em&gt;Over the Water&lt;/em&gt; program at Pier 15 on San Francisco's downtown waterfront. In this catalogue essays by Exploratorium curator Marina McDougall; art wrtier Leigh Markopoulos; and architecture/design curator Henry Urbach, further illuminate the fascianting word of the world's first artist to create sculpture using the ephemeral medium of fog.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://designstore.theglasshouse.org/pass-the-peas-and-can-studys-p280.aspx</link>
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      <pubDate>Thu, 21 Aug 2014 11:41:00 GMT</pubDate>
      <title>Pass the Peas and Can Studys</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/pass-the-peas-and-can-studys-p280.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/pass%20the%20peas%20and%20can1.jpg" WIDTH=200 alt="Pass the Peas and Can Studys" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/pass-the-peas-and-can-studys-p280.aspx"&gt;Pass the Peas and Can Studys&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/pass-the-peas-and-can-studys-p280.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$50.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;font face="Sans-Serif"&gt;AUTHOR: AL TAYLOR AND KLAUS KERTESS, 2014 &lt;/font&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0in 0in 10pt;"&gt;&lt;font face="Sans-Serif"&gt;This publication focuses on two bodies of work by Al Taylor,Pass the Peas and Can Studys. Although distinctly individual, both of theseseries examine Taylor's ongoing explorations of the circle. Instigated bycuriosity, the artist studies the inside and outside of circular shapes andinvestigates their multi-dimensional possibilities. Taylor playfully exploresthese permutations in his Pass the Peas series from 1991-92. In addition tocompleting an array of drawings, he used tubular materials such as hula-hoops,garden hose, and plastic-coated cable to create three-dimensional spirals andcoils, interlocking loops, and dissected circles that were mounted on the wall,left freestanding, or hung by wires from the ceiling to activate changingperspectives. The artist's investigations into the infinite possibilities of acircle were further pursued during 1993 in his Can Studys series, when heexpanded his "research" by exploring the play of light that wouldtheoretically be reflected off of the exterior--or projected out of theinterior of cylindrical forms.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://designstore.theglasshouse.org/al-taylor-early-works-p279.aspx</link>
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      <pubDate>Mon, 11 Aug 2014 12:39:00 GMT</pubDate>
      <title>Al Taylor Early Works</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/al-taylor-early-works-p279.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/al%20taylor%20early%20works1.png" WIDTH=200 alt="Al Taylor Early Works" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/al-taylor-early-works-p279.aspx"&gt;Al Taylor Early Works&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/al-taylor-early-works-p279.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$65.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;p class="MsoNormal" style="margin: 0in 0in 10pt;"&gt;&lt;font face="Sans-Serif"&gt;Al Taylor, who died in 1999 at the age of 51, was inspired by literally whatever was around--from a dog stain on a Paris street to a Styrofoam float washed up on a Hawaiian beach. He saw abstract forms in quotidian detritus, creating a complex and humorous body of work consisting of paintings, drawings and sculpture, which he called "constructions." His use of simple materials like hot rolled steel, wire, Xerox toner and correction fluid was a perfect match for such subject matter. Approaching this three-dimensional work with the same balance of intensity and whimsy with which he made his drawings, Taylor willfully dismissed any distinction between the two media. In fact, he thought of his constructions as spatial drawings with a multitude of views. This fully illustrated monograph, which includes an extensive overview of Taylor's oeuvre, is published concurrently with an exhibition at Zwirner &amp;amp; Wirth, New York.&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://designstore.theglasshouse.org/james-welling-glass-house-p241.aspx</link>
      <guid isPermaLink="false">Product241</guid>
      <pubDate>Fri, 7 Feb 2014 07:32:00 GMT</pubDate>
      <title>James Welling: Glass House</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/james-welling-glass-house-p241.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/welling%20glass%20house2.jpg" WIDTH=300 alt="James Welling: Glass House" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/james-welling-glass-house-p241.aspx"&gt;James Welling: Glass House&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/james-welling-glass-house-p241.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$50.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;b style="font-weight: normal;" style="font-weight:  normal; : undefined; "&gt;&lt;p id="docs-internal-guid-4d65f209-0ceb-2bd8-16a1-ce84f4036c8e" style="line-height: 1.15; margin-top: 0pt; margin-bottom: 0pt;" dir="ltr" style="line-height:  1.15;  margin-top:  0pt;  margin-bottom:  0pt; : undefined; "&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; background-color: transparent;" style="color:  rgb(0, 0, 0);  font-family:  Arial;  font-size:  15px;  font-style:  normal;  font-variant:  normal;  font-weight:  normal;  text-decoration:  none;  vertical-align:  baseline;  background-color:  transparent; : undefined; "&gt;&lt;font face="Sans-Serif"&gt;Published April 2011, this book examines James Welling's three year relationship with the Glass House. &lt;/font&gt;&lt;/span&gt;&lt;font face="Sans-Serif"&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; background-color: transparent;" style="color:  rgb(0, 0, 0);  font-family:  Arial;  font-size:  15px;  font-style:  normal;  font-variant:  normal;  font-weight:  normal;  text-decoration:  none;  vertical-align:  baseline;  background-color:  transparent; : undefined; "&gt;From 2006 to 2009, James Welling photographed the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with powerful swells of glowing color&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;/b&gt;&lt;p id="docs-internal-guid-4d65f209-0ceb-2bd8-16a1-ce84f4036c8e" style="line-height: 1.15; margin-top: 0pt; margin-bottom: 0pt;" dir="ltr" style="line-height:  1.15;  margin-top:  0pt;  margin-bottom:  0pt; : undefined; "&gt;&amp;nbsp;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://designstore.theglasshouse.org/architectural-abstractions-p216.aspx</link>
      <guid isPermaLink="false">Product216</guid>
      <pubDate>Tue, 22 Oct 2013 10:00:00 GMT</pubDate>
      <title>Architectural Abstractions</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/architectural-abstractions-p216.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/arch%20abstract1.jpg"  alt="Architectural Abstractions" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/architectural-abstractions-p216.aspx"&gt;Architectural Abstractions&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/architectural-abstractions-p216.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$20.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;font face="Sans-Serif"&gt;This is a beautiful addition to the library of any fan of architecture and photography. It is the exhibition catalog that accompanied the 2005/2006 exhibition of the same name at the San Francisco Museum of Modern Art. Photographer Todd Eberle has assembled 25 detail shots of buildings by Frank Lloyd Wright, Philip Johnson and Gordon Bunshaft which remind of us how important those details are. &lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://designstore.theglasshouse.org/robert-rauschenberg-p215.aspx</link>
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      <pubDate>Tue, 22 Oct 2013 09:43:00 GMT</pubDate>
      <title>Robert Rauschenberg</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/robert-rauschenberg-p215.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/rauschenberg%20phaidon1.jpg"  alt="Robert Rauschenberg" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/robert-rauschenberg-p215.aspx"&gt;Robert Rauschenberg&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/robert-rauschenberg-p215.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$22.95&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;font face="Sans-Serif"&gt;By Catherine Craft, this book is the perfect introduction to the work of artist Robert Rauschenberg.&lt;br /&gt;Published March 2013&lt;br /&gt;146pp.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://designstore.theglasshouse.org/collecting-art-for-love-money-and-more-p209.aspx</link>
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      <pubDate>Sat, 19 Oct 2013 10:19:00 GMT</pubDate>
      <title>Collecting Art for Love, Money and More</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://designstore.theglasshouse.org/collecting-art-for-love-money-and-more-p209.aspx"&gt;&lt;img src="//designstore.theglasshouse.org/pjgh/images/Collecting%20Art1.jpg"  alt="Collecting Art for Love, Money and More" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://designstore.theglasshouse.org/collecting-art-for-love-money-and-more-p209.aspx"&gt;Collecting Art for Love, Money and More&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://designstore.theglasshouse.org/collecting-art-for-love-money-and-more-p209.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$35.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;font face="Sans-Serif"&gt;Published in April 2013, collecting Art For Love, Money and More is an insider's guide for both the novice and experienced buyer. It reveals the motivations and secrets of successful collectors as well as providing an historical overview of the greatest collectors and their superb collections. Written by renowned art advisor Thea Westreich Wagner and her husband Ethan Wagner, this book offers clear advice on how to build and maintain a distinctive collection, from discovering new talent and accessing the best work to getting the highest returns on investment. &lt;br /&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://designstore.theglasshouse.org/art-c42all.aspx"&gt;ART&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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